Viewing entries in
Top Ten
The world might be falling apart by almost any metric you can imagine, but one thing (maybe the only thing?) that gave me solace this year was the amazing slate of films that 2023 provided. To my mind, 2023 was the best year in cinema since 2007, another banner movie year with an incredibly rich set of releases.
As you’ll see, 2023 offered up a similarly seemingly bottomless well of great cinema.
After eight years of writing film criticism and putting out these annual best-of lists, I’m making a major change. This year, and going forward, my top ten films of the year list (which is really a top 25) will no longer be ranked in a “best to least” format.
I’m doing this because of several different factors which, when I thought about them together, convinced me that it was time for a change…
I’ve been doing this for seven years, but still, each and every time I sit down in front of the keyboard to wrestle with my thoughts and feelings on a movie, it’s a challenge. I’m pouring everything I have into it, each and every time. Sometimes the results are fruitful. Sometimes I walk away thinking I never really got to the heart of what I wanted to explore. I think that means it’s working.
I put off publishing my top ten films list this year by a little over a month. I’ve had a very strict deadline in years past of publishing this list on the anniversary of starting my website (December 20th). But this year has been like no other, at least that I’ve lived through. So, as I ended my sixth year of writing film criticism, because I was tired, and because I wanted to squeeze a few more films in before I made the list, I held off.
I’m glad I did…
I was able to tease out a distinct theme in over half of the movies on my “best of” list this year. The theme is a grandness of scale. A lot of the movies on this list are telling big stories. Either the ambition of the characters or subjects is larger than life, as in number 5, or the cinematic scope of the filmmaker is immense, as in numbers 2, 3, and 4. Or, it’s a little bit of both, as in numbers 1 and 6.
Even the smaller films feel big and important in their own way (numbers 8 and 9).
The cliché is that the older you get, the faster time seems to fly. I’m only 38, but I can definitely affirm that it is a cliché for a reason. The year 2018 is a complete blur. Looking over my film-viewing log for the year had me confused. “Wait,” I thought, “Black Panther was this year?!? It feels like it was at least two years ago when I saw that.”
The year 2017 has been full of ups and downs. Mostly downs. If you read my reviews with any regularity, you might see my political views peeking through in my analysis of movies from time to time. I don't apologize for it, but I also never sit down to write a review with the express purpose of unleashing a political screed. My political leanings and beliefs inform so much of the rest of my existence that they are bound to bleed over into my film criticism. The three most blatant examples of this in the last year are in my reviews for Battle of the Sexes, The Post, and The Florida Project. The plot of Sexes lent itself to being interpreted as a thinly veiled metaphor for the 2016 presidential election. The Post (which I think has a better-than-average shot at winning the Best Picture Oscar this year) just is about our current political situation, in a certain way. Steven Spielberg has said as much when talking about why he made it. I'll get to The Florida Project in my top ten list (spoiler!).
As December draws to a close, I'm celebrating another year of seeing, studying, and writing about movies. Today marks my second anniversary of deciding to dive a little deeper than the average cinephile, and devote a large portion of my time to analyzing the art form I love so much.
