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Black is King

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Black is King

In the glut of remakes Disney has released in which they make a cash grab by simply reshooting their animated classics as live-action versions, their 2019 retelling of The Lion King is one I missed. (To be honest, I think 2019’s Aladdin is the only one of these that I’ve seen. To me, they seem like cynical bits of content trading on raw nostalgia. I found Aladdin superfluous at best.) The general impression I got of director Jon Favreau’s remake of The Lion King is that it was a CGI – so, basically animated – shot-for-shot remake of the original; a project lacking in purpose outside of making a huge sum of money.

Inspiration for something truly original can come from anywhere, though, and singer/songwriter/megastar Beyoncé – who played Nala in the Lion King remake – used the Disney property as a jumping-off point for something fresh, stunning, exciting, and unapologetically in praise of blackness. Black is King is a visual companion art piece to Beyoncé’s tie-in album The Lion King: The Gift, in which the artist “reimagines the lessons of The Lion King for today’s young kings and queens in search of their own crowns.”

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