The year 2017 has been full of ups and downs. Mostly downs. If you read my reviews with any regularity, you might see my political views peeking through in my analysis of movies from time to time. I don't apologize for it, but I also never sit down to write a review with the express purpose of unleashing a political screed. My political leanings and beliefs inform so much of the rest of my existence that they are bound to bleed over into my film criticism. The three most blatant examples of this in the last year are in my reviews for Battle of the Sexes, The Post, and The Florida Project. The plot of Sexes lent itself to being interpreted as a thinly veiled metaphor for the 2016 presidential election. The Post (which I think has a better-than-average shot at winning the Best Picture Oscar this year) just is about our current political situation, in a certain way. Steven Spielberg has said as much when talking about why he made it. I'll get to The Florida Project in my top ten list (spoiler!).
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A Ghost Story
There are few better experiences on this earth than being changed by a piece of art. It eventually wears off; that’s part of what makes it so special. The fact that it doesn’t last makes you appreciate all the more how rare and wondrous an occurrence it is. That’s just what happened to me with A Ghost Story. This is a transcendent film, amazing and unique. It’s a quiet examination of loss and grief, but on a cosmic scale.