I’m doing something a little different with this review. My wife, Rae, felt so strongly about Promising Young Woman when we finished watching it together that she felt compelled to write about it. I thought it would be cool to get a male and female perspective, for this movie especially. Whenever I write about a movie that focuses on a historically oppressed class of people, I try to seek out someone in that particular group to give me feedback before I publish, to make sure my white, straight, cis, male point-of-view isn’t causing me to write insensitive or unintentionally ignorant things. For this review, I’m including the entire perspective in the form of Rae’s review. I hope you enjoy the experiment. Please let us know what you think in the comments section!
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James Franco did it. He found the role he was born to play. It’s not a role that just fell into his lap, either. Franco crafted the opportunity for himself. He optioned the rights for a book through his buddy Seth Rogan’s production company, Point Grey, and then signed on to direct himself as the lead. That’s rather poetic, considering the history behind his role of a lifetime.
Franco is playing real-life director/writer/producer/star Tommy Wiseau in the story of what is arguably the worst movie ever made, the ironically celebrated cult hit The Room. One of that movie’s stars, Greg Sestero, wrote a tell-all book, The Disaster Artist, about his experiences making The Room with his friend Wiseau. Franco read the book and became fascinated with the director. Here was a man who refused to let any obstacle get in the way of his dream. He’s a mercurial figure with a mysterious eastern European accent – whenever he’s asked where he’s from, he’ll only say New Orleans – and an even more mysterious bottomless pit of money. While it might not seem it, upon reflection, Franco and Wiseau have more in common than you might think.
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