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Allison Janney

I, Tonya

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I, Tonya

Movies like Lady Bird and The Florida Project introduced us to people either living close to poverty or people who can’t escape it. Both pictures did it without being exploitative. They brought their subjects to life in a thoughtful, humanist way.

The economic underclass is a major preoccupation of I, Tonya, as well. Like The Florida Project, I, Tonya’s subject, who just happens to be a real-life person, is proud and unapologetic. I, Tonya is a punk rock look at poverty, among other things. It’s also, improbably, one of the most hilarious movies of 2017. Its humor is biting and sarcastic. It isn’t afraid to call its audience out as hypocrites for watching the story of Tonya Harding with a sick voyeuristic glee.

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The Girl on the Train

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The Girl on the Train

Any discussion about The Girl on the Train should begin and end with the movie’s star, Emily Blunt. The actress delivers the most searing depiction of alcoholism on the big screen since Nicolas Cage’s Oscar-winning performance in Leaving Las Vegas. From her ruddy face, to her slightly slurred speech and wobbly motion, Blunt inhabits wholly the character of Rachel Watson. She’s an incredibly damaged woman, keeping her drinking barely under enough control to believably be a functioning member of society. If she were in a better movie, Blunt would be a shoo-in for her own Oscar nomination next year.

Unfortunately, the rest of The Girl on the Train lets Blunt down.

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