Steven Spielberg’s West Side Story is an absolute delight. The spell it casts is more hypnotic than that of the original film version, which won the award for Best Picture at the 34th Academy Awards. This new version has also been nominated for Best Picture, and knowing Hollywood’s regard for its own history and mythological status, I wouldn’t be surprised if West Side Story is the Best Picture winner at the 94th Academy Awards as well.
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Ansel Elgort
To the people in charge: please, please, please let Edgar Wright direct the next installment of the Fast and Furious series. Let him write it, too. With Baby Driver, he’s proven he is up to the task. He might not have any interest, though. Wright thrives on challenging himself with a different genre for each new film he makes. He dismantles them, and rebuilds them in his own quirky, original image. He did it with horror in Shaun of the Dead, and the buddy-cop movie in Hot Fuzz. He did it with the romantic comedy in Scott Pilgrim vs. the World, and science fiction in The World’s End. Now he’s done it with the heist/car chase genre in Baby Driver. It’s exhilarating, funny, and a damn good time at the movies.