The cliché is that the older you get, the faster time seems to fly. I’m only 38, but I can definitely affirm that it is a cliché for a reason. The year 2018 is a complete blur. Looking over my film-viewing log for the year had me confused. “Wait,” I thought, “Black Panther was this year?!? It feels like it was at least two years ago when I saw that.”
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BlacKkKlansman
It’s a well-worn cliché that bad times make for good art. We’re at the front end of some undeniably rotten times, with a commander-in-chief who traffics in white supremacist language and policies, and a large segment of the population who feel more comfortable expressing bigotry because of him. Hate and ignorance are ascendant. It’s the coldest of comfort, but the first great piece of art in response to these bad times (at least as far as movies go) is here. It’s called BlacKkKlansman. It’s incendiary, powerful, hilarious, chilling. Master filmmaker Spike Lee called upon every skill he has as an artist to make this movie pulse in defiance of our current political and existential crisis. He also included his trademark sense of humor and his unique visual style and inventiveness. No other director could have made this movie. BlacKkKlansman is, and could only be, a Spike Lee joint.