When future filmmakers craft the pop culture version of history about our current political age – and what a sad, sickening history it will be – they’ll no doubt have an almost bottomless pit of stories to tell. Stories about people who worked tirelessly to uncover corruption, collusion, and incompetence at the highest levels of government. Let Liz Hannah and Josh Singer’s screenplay for The Post be a guide to telling those stories. It stands in the company of movies like All the President’s Men and Spotlight.
This is Hannah’s first attempt at feature screenwriting, and she wrote it solo in early 2016. Singer, who won a best original screenplay Oscar with Tom McCarthy for 2015’s Spotlight, was brought on board to do a rewrite just before filming began. Their movie is about the vital role a free and open press has in a democracy.
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There is a long history in horror movies of incorporating social commentary into the thrills and chills of the plot. The genre has had a renaissance in the last four or five years, both in terms of quality and box-office success. Movies like Don’t Breathe and It Follows caught on with critics and audiences alike, a difficult feat. Comedian Jordan Peele – best known as one-half of the sketch comedy show Key & Peele – wrote and directed Get Out, a horror movie that takes racism as its central plot element. Get Out is a complex and thought-provoking picture, sure to start some awkward, important conversations. Peele has proven himself an immensely talented writer and director. He made a horror movie that is genuinely creepy, while also providing pointed observations on what being black in a white world is like.
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