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Brian May

Life After Flash

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Life After Flash

“Flash! AH-AH!” Like millions of other movie fans my age, I grew up watching (and watching, and watching, courtesy of my parents’ HBO subscription) the 1980 cheese-fest Flash Gordon. The movie was a cash-grab attempt by producer Dino De Laurentiis to capitalize on the success of a little movie called Star Wars. Ironically, George Lucas’s original idea was to make a Flash Gordon film, but when De Laurentiis wouldn’t sell him the rights, Lucas went off and created the Star Wars universe instead.

The star of the De Laurentiis produced and Mike Hodges directed Flash Gordon was Sam J. Jones, a relative unknown in Hollywood. The sci-fi spectacle about a New York Jets quarterback who travels to another planet in order to save Earth from a sadistic despot was only the actor’s second credit after the Blake Edwards comedy 10. The documentary Life After Flash covers the production, release, and legacy of Flash Gordan as well as Jones’s ups and downs in life following his big break portraying the comic strip hero.

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Bohemian Rhapsody

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Bohemian Rhapsody

A crucial part to the formula of a biopic about a popular entertainer is giving the audience plenty of moments of foreshadowing in which they can knowingly smile and nod their head to what’s coming. Freddie playing the first ten notes of Bohemian Rhapsody on a piano for his girlfriend early in the movie is a prime example of this. The girlfriend, Mary, tells Freddie she likes the music, and he responds, “I think it has potential.” Yes, Freddie, yes it does have potential, we are meant to think as we share a collective hushed chuckle. The picture is full to bursting with moments like this.

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