I’m publishing this cri de coeur on October the fourth because I’m in Texas. Watching, pondering, and writing about movies from around the globe for the last decade has helped me come closer to the person I want to be: a citizen of the world who thinks hard about the human condition and understanding as many different perspectives within it as possible.
My past and current roots in Texas led me to publish this last plea to get yourself registered to vote for the upcoming US Presidential election. The last day to register to vote in the state of Texas is Monday, October seventh.
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I’m doing something a little different this week. Politics is invading my film criticism website for one very specific reason. I am of the firm belief that if Donald Trump wins the 2024 presidential election, democracy is done for. This is an all-hands-on-deck moment, and if that means a politics interview inexplicably appearing on a website dedicated to movie reviews, so be it.
I’m a reader of the Substack newsletter Lone Star Left, published by Michelle Davis. Since she’s here in Dallas, I wanted to talk to Michelle in an effort to spread the word about her work and to discuss the state of both Texas and national politics. She graciously agreed, and the result is available here.
Listen to interview…
It is the duty of every American to watch the House January 6 Select Committee’s hearings on the attempted coup that Donald Trump and his followers instigated in an attempt to thwart the peaceful transfer of power to the duly and lawfully elected candidate, Joe Biden.
The first of eight planned hearings aired on Thursday, June 9. It served as an opening statement, detailing the actions that Trump took – and in some instances, the actions that he didn’t take – in an attempt to overthrow the seat of American government and the will of the American people. If you missed the first three hearings, I will link to YouTube videos of each.
I’m writing this because we are at a crisis point in American democracy. If you’ve been paying attention, the first congressional hearing probably didn’t tell you much which you didn’t already know. But it also featured revelations about the failed coup that the committee kept secret until now.
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I’m imagining the year 2060, when I’ll be 80 years old. In my mind’s eye, I see someone who’s my age now. Like me, this fictional person is a history buff – and a cinephile, too, of course – and she watches old movies and reads books about (mostly pop-culture) history. (What will this time period’s version of Easy Riders, Raging Bulls be called, anyway? Stan’s World: When Marvel Ate the Entertainment Industry?)
This person, who was born in 2020, reads part of the Wikipedia entry for “COVID-19 pandemic in the United States” and becomes fascinated. After watching a few YouTube videos of archival news footage about the pandemic, she stumbles across the trailer for Alex Gibney, Ophelia Harutyunyan, and Suzanne Hillinger’s documentary Totally Under Control. She watches the whole movie with an unbelieving half-grin on her face.
It’s a disturbing watch, but for her it’s a little like when I watched Triumph of the Will. It all happened so long ago, it’s hard to imagine actually living through it. This invented person – like the actual people who might one day watch Totally Under Control four decades from now – will never know the rage, frustration, and sense of hopelessness that watching Gibney, et al.’s film engenders in someone living through this moment.
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Much of the negative criticism for documentary filmmaker Errol Morris’s American Dharma is aimed at Morris not challenging his subject enough on his beliefs. Steve Bannon, the right-wing luminary and short-lived White House Chief Strategist to Donald Trump – just a few of Bannon’s many roles on the world stage – is allowed to present himself as a towering figure of great foresight and heroism, the critics claim. What these critics have forgotten (or possibly don’t know), is that direct confrontation isn’t Morris’s preferred mode of operation. He’s said as much in a recent interview about American Dharma:
“I don’t really believe in adversarial interviews. I don’t think you learn very much. You create a theater, a gladiatorial theater, which may be satisfying to an audience, but if the goal is to learn something that you don’t know, that’s not the way to go about doing it. In fact, it’s the way to destroy the possibility of ever hearing anything interesting or new. I guess I don’t believe in them.”
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