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Elisabeth Shue

Greyhound

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Greyhound

There’s something not quite right with the new World War II action film Greyhound. There are numerous thrilling moments contained in its taught, 91-minute runtime, to be sure. I lost count of the number of times an image, or a sound, or a stunning sequence of battleships in action gave me chills. The problem is, all those individual moments never add up to a whole that’s greater than the sum of its parts.

I felt what star/screenwriter Tom Hanks – this is the third feature-film screenplay from America’s Dad, after That Thing You Do and Larry Crowne – and director Aaron Schneider were trying to give me: a tense, non-stop thrill ride of a war film that’s lean on plot and packed with heart-stopping adventure. But it’s a little too flimsy on plot – one inexplicable scene actually highlights this fact – and the action, while quite rousing in brief moments, is too mired in CGI and rain-soaked scenery. The exciting effect is fleeting at best.

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Battle of the Sexes

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Battle of the Sexes

It’s hard to miss the parallels between the tennis match at the center of Battle of the Sexes and our most recent presidential election. The similarities go much deeper than the one event, in fact. Sexes acts as a depressing reminder that despite the progresses we’ve made in the last 40+ years in regard to gender equality and LGBTQ rights, the old cliché remains as true as ever: the more things change, the more they stay the same. This realization is made all the more bittersweet because it’s wrapped up in a crowd-pleasing confection of a movie. The directing team, Jonathan Dayton and Valerie Faris, gave us the feel-good Little Miss Sunshine as their feature debut, after all.

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