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Jimmie Fails

Nickel Boys

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Nickel Boys

I wish I was more in love with director RaMell Ross’s striking and avant-garde stylistic vision for Nickel Boys. The director previously received an Oscar nomination for Best Documentary Feature for his similarly unconventional aesthetic in Hale County This Morning, This Evening, which focuses on the Black community in Hale County, Alabama. (While researching for this review, I discovered that Ross’s inspiration for that earlier film was Godfrey Reggio’s Qatsi cycle of films. I had already heard excellent things about Hale County, but, as the Qatsi trilogy is one of my cinematic touchstones, I’m now more determined to catch up with Ross’s 2018 film.)

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The Last Black Man in San Francisco

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The Last Black Man in San Francisco

I was resistant at first to the The Last Black Man in San Francisco. I couldn’t make sense of the movie’s tone. It seemed funny and serious, elegiac and silly; a study in contradictions. It is all those things and more. Once I gave myself over to it, when I fell into sync with its wavelength, it blossomed before me into the most moving, unforgettable experience I’ve had at the movies so far this year. Director Joe Talbot and his childhood friend, creative collaborator, and star Jimmie Fails have made a singular work of art here.

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