Prince Akeem has a problem. When he becomes King of Zamunda, he’s troubled by the centuries-old tradition of his kingdom which dictates that only a male heir can inherit the throne. Akeem has three daughters and no sons. Luckily for Akeem (and the movie), it is revealed that he does in fact have a male heir, albeit an illegitimate one, living in America. Unfortunately for us, Coming 2 America leans on an outmoded story of Akeem being desperate to cement his legacy through his son, only to make an enlightened realization, in the movie’s final minutes, about his daughters. (This barely counts as a spoiler, since it’s painfully obvious what’s coming within the first fifteen minutes of the movie.) It’s a story that might have felt progressive had it been made in 1988, the same year this sequel’s original installment was released.
Viewing entries tagged
KiKi Layne
Charlize Theron continues her ascent to the throne of Ultimate Action-Movie Hero Badass in The Old Guard, following her star turns in powerhouse action films like Mad Max: Fury Road and Atomic Blonde. This time out finds Theron sharing her stunt-heavy, fight scene bravura with an ensemble of lesser known, but equally entertaining, actors. The Old Guard is a graphic novel adaptation that overcomes a familiar setup to deliver an energetic, exciting story that finds a way to make its seemingly invincible characters vulnerable. Director Gina Prince-Bythewood packs her movie with several competing aesthetics, and she’s mostly successful in getting them all to work in harmony.
Barry Jenkins displayed a deep emotional intelligence and sensitivity with his breakout film Moonlight, which won a raft of awards after its release. In his new film, If Beale Street Could Talk, the director delivers another stunning drama about the black experience in America. It’s brimming with love, fear, heartache, and, ultimately, hope. Jenkins is a preeminent humanist filmmaker; he treats his characters with a great deal of empathy and dignity. He is also a singular film artist. If Beale Street Could Talk, like Moonlight, contains spectacularly gorgeous images. It is a triumph in American cinema.