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Kumail Nanjiani

Eternals

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Eternals

Marvel Cinematic Universe mastermind Kevin Feige’s style and design for the look and feel of the content he produces for his Disney overlords has calcified with his latest entry, Eternals. I use the dreaded word content – it’s a word that makes me throw up in my mouth a little; it’s more at home in a marketing meeting than discussions about art or entertainment – because that’s what Eternals feels like, rather than a story or a movie.

At an interminable 157 minutes, it’s an attempt at entertainment that bolsters Martin Scorsese’s assertion that Marvel movies are more theme park attraction than storytelling. Even as a 200-million-dollar rollercoaster, Eternals is lifeless and largely joyless. The only fun thing about it is a few of the performances where a human spark peaks through the calculatedness of it all.

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The Big Sick

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The Big Sick

The Big Sick isn’t just the best romantic comedy since Annie Hall, it’s also trying to teach us how to live in the fractured world in which we find ourselves. Okay, maybe not. It’s probably just trying to be a heartfelt, funny, and entertaining depiction of how star and cowriter Kumail Nanjiani met and fell in love with his real-life wife, Emily Gordon. But inspiration is where you find it, as the saying goes, and The Big Sick offers up a wealth of it. This movie is full-to-bursting with ideas on unconditional love, grace, connecting with people not only, but especially, when it’s hard, and how we can all work together to make life a little easier for our fellow humans. Oh yeah, and it’s also incredibly funny.

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