Marvel Cinematic Universe mastermind Kevin Feige’s style and design for the look and feel of the content he produces for his Disney overlords has calcified with his latest entry, Eternals. I use the dreaded word content – it’s a word that makes me throw up in my mouth a little; it’s more at home in a marketing meeting than discussions about art or entertainment – because that’s what Eternals feels like, rather than a story or a movie.
At an interminable 157 minutes, it’s an attempt at entertainment that bolsters Martin Scorsese’s assertion that Marvel movies are more theme park attraction than storytelling. Even as a 200-million-dollar rollercoaster, Eternals is lifeless and largely joyless. The only fun thing about it is a few of the performances where a human spark peaks through the calculatedness of it all.
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Even if Sound of Metal weren’t one of the best, most emotionally pulverizing cinema experiences of the year, the outstanding lead performance from Riz Ahmed would be reason enough to praise the film. The English actor/rapper/activist’s incredibly rich performance comes down to the level of interiority that Ahmed is able to convey to us. Through nuanced looks and gestures, most often conveyed with no words at all, Ahmed accomplishes with his character, Ruben, one of the most noble goals of the arts: the ability of the audience to truly see the world through someone else’s eyes.
Ruben Stone is a drummer in the two-piece metal band Blackgammon. His romantic and artistic partner, Lou (short for Louise), plays guitar and sings. A recovering heroin addict, Ruben is faced with a life-upending situation when he suddenly and almost completely loses his hearing due to the nightly abuse of Blackgammon’s metal shows.
It’s a simple setup – almost high-concept: the elevator pitch might be, “Metal drummer loses his hearing overnight and must face radically changing his life in order to adjust.”
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