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Mark Gatiss

Queer for Fear: The History of Queer Horror

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Queer for Fear: The History of Queer Horror

Executive produced by Bryan Fuller, Queer for Fear looks at queer representation in horror movies from the beginnings of cinema through roughly the 1990s. It covers everything from gay director James Whale’s outsized influence on the horror genre, via his seminal work for Universal Studios in the 1930s, to the Wachowski sisters exploring queer desire in 1996’s Bound.

Any person committed to understanding the world with as much complexity and nuance as possible craves ideas and perspectives other than their own. Queer for Fear gave this (mostly) straight guy a new perspective on dozens of cultural artifacts and made them richer and more interesting for it. It also validates and reclaims a vibrant history for people who have experienced intolerance, rejection, hostility, and violence from those in society – sad to say, probably still the majority – who can’t slap their hands over their ears fast enough when new ideas are presented to them. Queer for Fear is a wonderful achievement in queer cinema. Both LGBTQ+ and straight folks should relish the ideas it presents.

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The Father

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The Father

A great amount of ink has already been spilled about the incredible performances from Anthony Hopkins and Olivia Colman in The Father. There’s good reason for that. Hopkins received his sixth Oscar nomination, including one win for the iconic rendering of Hannibal Lecter in The Silence of the Lambs, for his portrayal as an octogenarian battling dementia. This is Colman’s second nomination after winning an Oscar in 2019 for her work in The Favourite. Both nominations are richly deserved. But what struck me about The Father, the debut film from director Florian Zeller, based on his own 2012 stage play, is the audacious storytelling.

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