Viewing entries tagged
Parasite
The North Texas Film Critics Association (NTFCA), of which I am a member, voted this month to honor the best films of 2019. As an organization, the NTFCA is proud to call attention to outstanding achievements in the craft of filmmaking. I consider movies to be not only entertainment, but in the best examples, they are also art. They teach us about the human condition. Here are the winners for each category in which we voted:
The Park family aren’t bad people, per se. They’re just completely oblivious to anything and anyone that doesn’t involve them directly. Their obscene wealth allows them that luxury. So, late in Parasite – director Bong Joon-ho’s savage satire on class – when a heavy rain storm causes catastrophic flooding in poor neighborhoods, Mrs. Park, Yeon-kyo, can only perceive how it has affected her. The heavy rains have washed away the grime of the city, she says. In fact, it’s really a blessing. And besides, the next day has brought sunshine and a beautiful afternoon, perfect for celebrating her son Da-song’s birthday. She says this to one of her servants, a member of the Kim family, whose semi-basement apartment was devastated by the flood.
That moment offers a stinging observation, one among many, of how the rich move effortlessly through the world, while the less fortunate struggle to survive. Just like Snowpiercer, Bong’s 2013 dystopian take on class struggle, Parasite is as socially conscious as it is wildly entertaining. His use of virtuoso camera technique, dense structure, surprising plot twists, and pitch-black humor coalesce into an unforgettable piece of cinema.
