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Raffey Cassidy

The Brutalist

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The Brutalist

If Paul Thomas Anderson’s 2007 masterpiece There Will Be Blood is a movie about the relentless and often cruel pursuit of progress and (more importantly) profit that drives the collective psyche of the United States of America – with Daniel Day-Lewis’s Daniel Plainview as the personification of US greed and pitilessness – then Brady Corbet’s The Brutalist is about the view from the immigrant experience in those conditions.

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The Killing of a Sacred Deer

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The Killing of a Sacred Deer

It would be reductive of me to call Yorgos Lanthimos the new Stanley Kubrick. The Greek director responsible for the provocative films Dogtooth, Alps, and my initiation into his twisted imagination, The Lobster, is nothing if not a unique talent. Still, there are certain undeniable Kubrickian flourishes in his new film, The Killing of a Sacred Deer. Chief among them are a penchant for inserting nihilistic black comedy in otherwise bleak subject matter, and his facility with patient, beautiful camera movement and framing. Sacred Deer is one of the most challenging, most disturbing films I’ve seen this year.

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