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Ruth Negga

Passing

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Passing

It’s serendipitous that I came across the film Passing when I did. I happened to screen it as I’m almost half way through a staggering book about race – and so much more – in America by Isabel Wilkerson titled Caste: The Origins of Our Discontents. I’ve been making my way through Caste for about two months now. I’m a notoriously slow reader, and I’ve found myself only able to read so much of this particular book in one sitting. Wilkerson includes gut-wrenching, disturbing examples of the rigid hierarchical system in place in America to keep Black people at the bottom of society, known as a caste system.

The serendipity comes in one text informing and unlocking nuance in the other. It’s easier to recognize, because of what I’ve read in Caste, that everything you see and hear in Passing is a result of white supremacy. The very idea that some members of the subordinated – read: Black – group could gain the privileges and respect of the dominant – read: white – group because their skin is light enough to pass for a white person speaks to the ugly and destructively nonsensical idea of white supremacy and using skin color as a way to asses human worth.

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Ad Astra

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Ad Astra

Ad Astra is a work of art that is singularly beautiful but structurally flawed. Writer/director James Gray, working here with cowriter Ethan Gross, attempts a tone of cosmic mystery in his space epic set in the near future. It’s about the personal connections humans make even as we search for extraterrestrial life.

For the most part it works; I found myself falling into the rhythm of Ad Astra even as certain of its elements continued to irritate me.

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