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Samara Weaving

Bill and Ted Face the Music

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Bill and Ted Face the Music

Gather round for the latter-day tales of the Two Great Ones, Bill S. Preston, Esq. and Ted “Theodore” Logan, aka Wyld Stallyns. As we all know, these prophets saved our society from being totally bogus and instead insured our most excellent future.

Ok, we probably don’t all know that.

In fact, there’s a pretty good chance that if you’re under the age of about thirty, you had never heard of these two sweet-natured lunkheads and the perplexing cult status of the late 80s/early 90s movies that featured them: Bill and Ted’s Excellent Adventure and Bill and Ted’s Bogus Journey.

As someone on the margins of Bill and Ted fandom – I watched both the earlier films around the time of their original release (when I was twelve or so) and liked them, but I didn’t think about them much after that – I was more bemused than anything else when I heard about this newest sequel, Bill and Ted Face the Music.

After revisiting the first two entries in preparation for the new Bill and Ted, I found them both as affable and goofy as I had remembered. They’re the movie equivalent of junk food, to be sure, but guileless and silly enough to be harmless – except for those few dated homophobic slurs that are played for laughs.

I can happily report that Bill and Ted Face the Music is in the exact same vein as its predecessors.

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