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Stephanie Hsu

Joy Ride (2023)

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Joy Ride (2023)

The gleefully raunchy gross-out comedy of 2023 has arrived. Joy Ride sticks to a formula and its story beats might be a little too familiar, but the phenomenally talented cast, who are up for damn near anything, make the movie sing. It’s destined to be compared to 2011’s Bridesmaids, since both movies feature predominantly female casts and revel in their bawdiness, but Joy Ride, along with Bridesmaids, holds its own with some of the best hard-R comedies of recent memory, like The 40-Year-Old Virgin, Forgetting Sarah Marshall, and Booksmart, another female-centered absurdist comedy.

I knew I was in for a good time as soon as the introductory scene pumped up Ants Marching by Dave Matthews Band on the soundtrack as a way to establish a predominantly white community. I’m as big a fan of DMB as the next guy – as long as the next guy is a hacky-sacking hippie – but I can recognize and fully understand why the band is gently mocked as something with which certain subsets of white people are obsessed.

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Everything Everywhere All at Once

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Everything Everywhere All at Once

Like the endless possibilities contained within the movie itself, if you asked a dozen people coming out of Everything Everywhere All at Once what their main takeaway was, you’d likely get a dozen different answers. The themes, connections, and wildly inventive filmmaking come spilling out of this movie at warp speed. The second film from the directing team known as Daniels – the duo is made up of Dan Kwan and Daniel Scheinert – is even more bonkers than their first, the inexplicably goofy Swiss Army Man. This time they have the outlandish budget to match their outlandish ideas. The result is a joyous, dense take on human existence that celebrates hope and empathy.

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